I wrote about The Quivering Lights, the extraordinary collaboration between Nachtreich and Spectral Lore, at Last Rites.
Heaving Earth do death metal my way. I wrote about their delicious new album at Metal Bandcamp.
The new Execration album is an excellent addition to the year's bounty of inventive and off-kilter death metal. I wrote about Morbid Dimensions over at Metal Bandcamp. Don't miss this late-year great.
I wrote a bit about the new Incantation album because it's awesome, naturally. Check it out at Scratch the Surface.
I’m going to Maryland Deathfest this week. After years of false starts, failures, wimp-outs, and disaster, I’m finally going to make this happen. It’s been fourteen years since I last attended a metal festival.
In the summer of Y2K, I packed up my shit, jumped on a plane with my trusty friend, Jeremiah, and flew up to the Milwaukee Metalfest. I had no idea what I was getting into; the plans were sketchy, and the hopes were impossibly high. I vaguely recall seeing a handful of the incredible bands listed on that flyer; there’s no telling which bands cancelled and which were wiped from memory by impossible amounts of alcohol. King Diamond ruled, Entombed drooled, Mayhem were bizarrely entertaining, and Katatonia were received with a resounding thud. But none of them were the real reason I went.
I was absolutely obsessed with Opeth’s freshly released Still Life at that time. The Milwaukee Metalfest would be the band’s first American appearance, and their inclusion on the bill pushed me over line. Opeth’s performance, in a room that looked like an elementary school gymnasium, was incredible, legendary, unreal. Never in my metal life have I felt anything like the absurd enthusiasm of that moment.
Not only did Opeth bring down the house, they hung out during the entire weekend, talking to fans, drinking beer, and shopping for records. My unhealthy love of Mikael Åkerfeldt was kindled in those hours (it’s since faded to weak admiration). It was a righteous experience.
Much like my decision hit up the Milwaukee Metalfest, the inclusion of one band in particular has pushed me over the line to attending MDF. That band is My Dying Bride. Surprised? You shouldn’t be. I’ve been a fan of the band’s gothic death-doom since I first laid ears on Turn Loose the Swans in 1993. I narrowly missed seeing them play at Coney Island High in 1997 (on tour for Like Gods of the Sun) and have regretted it ever since. That was their last American tour.
Naturally, I approach all things with caution. I’m trying to temper my excitement. Hope is, after all, the destroyer. The MDF schedule has helped out by having My Dying Bride overlap with one of the other bands I’m excited to see (Mitochondrion). What can you do? Here is a short list of bands I’m also looking forward to:
The Ruins of Beverast
At the Gates
Kill the Client
Death Toll 80k
Besides the bands, I’m also psyched to meet some of the people I’ve become acquainted with over the years via the interweb metal community. Amongst these are the venerable Dave Schalek, the Last Rites folks, and former denizens of The Number of the Blog. Let’s meet. Let’s do this. Dial me up on the Farcebook.
One last word on the 2000 Milwaukee Metalfest. I found this wonderful review of the weekend on Brave Words by none other than Profound Lore’s Chris Bruni. It gave me a good laugh, and it fired up some of the memories that I thought were permanently burned from my brain.
This Thantifaxath album is outrageous, gorgeous, righteous. I try to wrap my head around it over at Scratch the Surface Webzine.